But there were also others who criticized Saussureâs theories, and who would later on become the post-structuralists. But this approach neglected to give attention to the human subject who performs the utterance under consideration. In her theory, she defined intertextuality as a literal and effective presence of a text in another text. Thus, intertextuality deals with a textâs existence within society and history. Since Julia Kristeva coined the term in 1966, intertextuality has become one of the major fields of textual enquiry throughout the world. Since neither Saussure nor Bakhtin actually employs the term, most people credit Julia Kristeva as being the inventor of the term âintertextuality.â Kristeva has been influenced by both Saussurean and Bakhtinian models and attempts to combine their major theories. Iâm doing my thesis in my univ. (Fragment from The Matrix and the Alice Books by Voicu Mihnea Simandan, p.22-25). This book, the first full-length study of intertextuality in English, fills an important gap. Copyright (c) 2009-2019 Voicu Mihnea Simandan. Julia Kristeva was the first to coin the term "intertextuality" (intertextualité) in an attempt to synthesize Ferdinand de Saussure's semioticsâhis study of how signs derive their meaning within the structure of a textâwith Bakhtin's dialogismâhis theory which suggests a continual dialogue with other works of literature and other authorsâand his examination of the multiple meanings, or "heteroglossia", in each t⦠@shosho: Thereâs a lot to âchooseâ from on this website: http://www.simandan.com/?tag=intertextuality. Optional intertextuality has a less vital impact on the significance of the hypertext. Julia Kristeva by Jenny Conejo on Prezi Kelly Oliver â â Hypatia 8 3: Constitutive Intertextuality is also referred to interdiscursivity though, generally interdiscursivity refers to relations between larger formations of texts. Simply put, it is when one text references another text. Graham Allen describes this move as âone in which assertions of objectivity, sci- entific rigour, methodological stability and other highly rationalistic-sounding Texts are framed by others in many ways. Julia Kirstevastarted living in France in the mid-1960s, a period of time when the Frenchintellectual scene was one in which many established theories in philosophy,political theory, and psychoanalytic theory were being transformed bystructuralists with roots in Saussurean linguistics. Julia Kristeva is a Bulgarian-French philosopher, literary critic, semiotician, psychoanalyst, feminist, and, most recently, novelist, who has lived in France since the mid-1960s. Bakhtinâs work centers on human subjects using language in specific social situations, while Kristevaâs work deals with more abstract notions, such as text and textuality. Kristeva was influenced not only by Saussureâs theories, but also by Bakhtinâs. No text, in the light of intertextuality, stands alone; all texts have their ⦠When the uttered word is conveyed to a listener, the subjective position of the speaker is maintained but ⦠The intertextual productions are thus fundamental to literary production, involving particular ways of seeing based on power relations, forms of resistance and so on, which have their import in various theoretical disciplines including Marxism, Feminism and Postcolonialism. âIntertextuality (The New Critical Idiom)â by Graham Allen (Routledge, 2000) gives a very good overview of what intertextuality is. I take intertextuality as the regarding theory. Categories: Linguistics, Literary Criticism, Literary Theory, Uncategorized, Tags: Dialogism and Carnival, intertextuality, Julia Kristeva, Mikhail Bakhtin. The article discusses intertextuality as one of the extremely useful and yet strangely vague theoretical concepts. So, I guess you have read Graham Allenâs book. R. Sysak, http://www.simandan.com/?tag=intertextuality, http://www.amazon.com/Matrix-Alice-Books-Mihnea-Simandan-ebook/dp/B00C696N9U. Dear all, For more information on intertextuality and how I applied it to film studies, I recommend you read my book âThe Matrix and the Alice Booksâ â it is available at amazon.com. In Kristeva’s formulation, any text is an “intertext” — the site of an intersection of numberless texts and existing only through its relation with other texts. This is basically a re-phrasing of the Bakhtinian notion of the âdialogue,â which established a relation between author, work, reader, society, and history. This definition is relatively reductionist, and I think a better way to imagine it is in the poststructuralist sense, where there is no binary, but something like a mosaic; no text is self-contained and all texts are ⦠The distinction is that Kristevaâs theory paid close attention to text, textuality, and their relation to ideological structures. 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