Victoria Miro’s gallery in Venice opened to the public on 10 May 2017.The intimate gallery space is housed in a seventeenth-century building, with street and canal frontage, it is the gallery’s fourth exhibition space, joining gallery sites in Mayfair and Wharf Road, London. Subscribe now for full access to The Eye of Photography! Monday, January 19 Victoria Miro Now Represents Flora Yukhnovich Victoria Miro, which maintains spaces in London and Venice, has added London-based ⦠As she wrote from New York in 1980 to Edith Schloss, Rome-based friend, painter and critic: âItâs funny how while I was living in Italy the culture there didnât affect me that much and now I have all this fascination with the architecture, etc.â, âAlong with her ongoing work with antique statuary, the recurring framing of the acephalous torso recalls the salient characteristics of an antique sculpture.ââ Isabella Pedicini, While Italian and classical influences are certainly present in Woodmanâs earlier photographs, they achieve a new articulation in works made in New York, culminating in her monumental diazotype collage Blueprint for a Temple, in the collection of the Metropolitan Museum of Art in New York, and its attendant Caryatids, one of which is also included in this exhibition. In any case, her interest in sculpture is focused in particular on the specimen itself, the fragmentary form which survivesâ¦Temple Project (1980), in which we see models as caryatids on the side of a Greek temple, also reveals direct classical influences.â. Victoria Miro presents an exhibition of works made in New York from 1979–80, focusing on a rare series of colour photographs by Francesca Woodman staged in her New York apartment. window.mc4wp.listeners.push( The gallery ethos remains consistent: to promote great and innovative artists and to nurture the best talent from the new generation of artists around the world. We welcome a maximum number of 5 people at a time to the gallery Once home to criminals and rogues , now it is just pickpockets. Oil on linen 19 Mayâ20 June 2020 Last year Victoria Miro established a studio space in Venice for invited artists to spend extended time in the historic city and make new bodies of work. Venice, 2008. Victoria Miro is delighted to present an exhibition of works made in New York from 1979â80, focusing on a rare series of colour photographs by Francesca Woodman staged in ⦠London, Venice Victoria Miro first opened her gallery in Cork Street, Mayfair in 1985. In her short career Francesca Woodman (1958â1981) produced an extraordinary body of work acclaimed for its singularity of style and range of innovative techniques. Her sources include the music of Vivaldi and the memoirs of Casanova, in addition to one of her key influences, Giovanni Battista Tiepolo, whose works she was able to study first hand to create this new suite of paintings for this exhibition. To learn more about this artwork, please provide your contact information. Photo: Andree Martis. Message from Tripadvisor: Temporarily closed. Located in the San Marco district, the gallery will be Miro’s fourth location—she currently has venues in Mayfair and Wharf Road in London.Miro will take over a seventeenth-century building from Galleria il Capricorno, which was founded by Bruna Aickelin in 1971. Victoria Miro opened her first gallery in Cork Street, Mayfair, in 1985, where she became one of the principal dealers, although the premises at 750 square feet (70 m 2) were little larger than a studio apartment. One of the key influences of Italian art on Woodmanâs work was in her precise use of composition, which became more sophisticated during her time in Rome. The exhibition is also available to view via the App Store on Vortic Collect, No booking is required when visiting our Venice gallery. window.mc4wp = window.mc4wp || { In 2006, the gallery expanded further by opening a second exhibition space in an adjoining building on Wharf Road. All works © Flora Yukhnovich, courtesy the artist, Victoria Miro and Parafin. During a recent two-month residency, Flora Yukhnovich used the opportunity to engage more fully with Venetian culture. Since completing her masters degree in 2017, London-based artist Yukhnovich has received acclaim for paintings in which she adopts the language of Rococo, reimagining the dynamism of works by eighteenth-century artists such as Giovanni Battista Tiepolo, François Boucher, Nicolas Lancret and Jean-Antoine Watteau through a filter of contemporary cultural references including film, food and consumerism. Flora Yukhnovich: The Venice PaintingsVictoria Miro on Vortic Last year, Victoria Miro established a studio space in Venice for invited artists to spend extended time in the historic city and make new bodies of work. 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